Simply In Time, the Bobby Darin jukebox musical starring Jonathan Groff opening tonight at a splendidly dressed Circle within the Sq. on Broadway, does some critical and real starmaking, twice over in reality. Darin, the as soon as vastly well-liked however now barely remembered nightclub singer and High 40 hitmaker is returned to a spot in our cultural reminiscence, and Groff, the Tony-winning star of final season’s Merrily We Roll Alongside and for years now one of many stage’s extra well-liked younger actors, newly emerges to the highest ranks of the perfect, most pure all-around entertainers working at present.
Some performances – assume Liza Minnelli within the movie Cabaret, or Hugh Jackman in Broadway’s The Boy From Oz – ship their stars into new stratospheres, one thing outdoors the labels “actor” and “singer” and into that unique circle of stars who can maintain a stage each as a personality and as themselves, immediately recognizable and distinctive.
Simply in Time, directed by Alex Timbers from an unique idea by Ted Chapin, is a perfect showcase for Groff, in no small half because of the moderately ingenious premise of the bio-musical: In a really efficient framing gadget, Groff is launched to the stage as Groff, organising the present’s floor guidelines: Groff isn’t enjoying Darin, he’s enjoying Groff enjoying Darin, a conceit that permits the star not solely to interrupt the fourth wall however that units him free to talk instantly about why he’s so taken by a singer who died in 1973, making us care too.
And maybe most importantly, the Groff-as-Darin premise means the actor doesn’t must imitate Darin. Groff sings Darin’s track as Groff – and all the higher – and that easy strategy lifts the restraints that strangle most jukebox musicals. Simply In Time doesn’t at all times keep away from the contrivances of the style, nevertheless it renders them insignificant.
However no mistake: Simply in Time is a jukebox musical, not a Jonathan Groff Sings The Songs Of Bobby Darin live performance (although I’d purchase a ticket for that). In between songs – carried out on Derek McLane’s magnificently designed Circle within the Sq. revamped as an immersive, gloriously artwork deco Copa-style nightclub that simply is likely to be the perfect use of that venue’s troublesome in-the-round design in reminiscence – Simply in Time tells Darin’s story in normal jukebox method. A solid of characters together with relations, colleagues and well-known loves Connie Francis and Sandra Dee recreate, with Groff, snippets that inform the story of his life in pretty broad strokes.
Born in East Harlem in 1936, Darin had the percentages stacked towards him from the get-go. Frequent bouts of rheumatic fever left the child’s coronary heart so weakened that one childhood physician predicted a lifespan of 16 years. Darin, inspired by his supportive, hardboiled ex-vaudeville singer mom Polly (the nice Michele Pawk), determines to reside life quick, cramming in as a lot success as his restricted time will enable. He begins as a songwriter, incomes some success copying the types of whoever occurs to have successful in the intervening time.
Christine Cornish, Jonathan Groff & Julia Grondin
Matthew Murphy and Evan Zimmerman
However when the rising recording star Connie Francis takes discover, Darin’s luck adjustments. The 2 East Coast children not solely embark on a secret affair (her overprotective dad has a gun, and vows to make use of it), however rapidly discover fame. For Darin, which means by recording his personal music, beginning with the novelty rock and roll quantity “Splish Splash” after which the catchy if mopey “Dream Lover.”
His legacy could be set, although, when he determined, towards the recommendation of his administration, to adapt the Brecht-Weill Threepenny Opera dirge “Die Moritat von Mackie Messer” into one thing with a finger-snapping beat and a ’50s lounge vibe. Mack The Knife was an enormous hit in 1959 and and has lengthy since develop into a typical.
As Simply In Time suggests, although, Darin was by no means glad, and his near-pathological drive had him always chasing new types of music (together with a short, ill-advised flip as a Dylan-like folkie). He additionally went via ladies – Connie Francis (a powerhouse Gracie Lawrence) broke his coronary heart, however he roughly sabotaged his marriage to Sandra Dee (a clear-voiced Erika Henningsen), no less than as depicted in Simply In Time. Dragging the equally well-liked Dee (and their toddler son) on tour with him, Darin largely ignores her. She drinks, makes public scenes and shortly sufficient Darin has his brother-in-law/toady ship his request for a divorce.
Different biographical situations focus totally on his household, and solely the strong performances of Pawk and Emily Bergl as, respectively, Darin’s morphine-addicted mom and put-upon sister – the household relationships shift within the late reveal of a long-kept secret – hold the non-musical e-book sections from slipping into the same old Wikipedia-sounding exposition so typical of the jukebox style. (Director Timbers and e-book writers Warren Leight and Isaac Oliver additionally devise some transient, humorous cameo appearances by, amongst others, Elvis Presley and a dismal Lotte Lenya, performers who spark Darin’s creativeness.)
Gracie Lawrence as Connie Francis & Jonathan Groff as Bobby Darin
Matthew Murphy and Evan Zimmerman
Simply in Time is front-loaded with the perfect, or no less than most recognizable, songs within the first act, leaving the second half much less hummable and stacked with the extra melodramatic, treacly and standard-jukebox e-book bits, however all that issues little. Groff, assisted by a terrific trio of singer-dancers (Christine Cornish, Julia Grondin, Valeria Yamin) who again him up via the years and plenty of, many fashions and dance types, is tireless and charming all through the present. Lengthy identified for the copious quantities of spit and sweat he releases throughout a efficiency – he jokingly acknowledges his “wetness” early within the present – Groff embodies the give-it-all stage model embodied by Minnelli in her prime, and with Simply In Time we watch as, track by track and dance by dance, a stage performer of the best order blossoms.
Simply In Time leaves nothing to probability. McLane’s artwork deco nightclub bandstand is superb, fantastically lit in washes of variously coloured lights (designed by Justin Townsend), and Catherine Zuber’s costume design completely captures the assorted eras – she particularly has enjoyable with the oh-so-mod ’60s – with out turning the entire thing right into a Halloween costume get together. Groff dons one specially-designed tux jacket after one other, with pinks and yellows marking the dinner jackets to particular eras and the eventual sparkly black numbers paying loving homage to the gaudy and joyous excesses of the nightclub and on line casino eras.
Likewise, Shannon Lewis’ choreography barrels via the eras with uncanny accuracy – Groff and his trio of “Sirens” are particularly pleasant doing the ’60s dance-craze strikes – the Twist, the Swim – as in the event that they’re on the soundstage of Hullabaloo or Shindig!
With Andrew Resnick’s crisp musical preparations and a faultless sound design by Peter Hylenski, Groff and his costars knock one track after one other out of the park. To call only a couple: Lawrence, as Connie Francis, provides simply sufficient Jersey grit to her musical theater chops to ship a belt-down-the-house “Who’s Sorry Now,” and Pawk, as Darin’s maybe-mother turns chanteuse to serenade a younger Bobby with the chanson “La Mer,” instilling in Darin a lifelong love for the track that may develop into considered one of his signature hits “Past The Sea.”
Valeria Yamin, Michele Pawk & Julia Grondin
Matthew Murphy and Evan Zimmerman
Different musical highlights – some carried out outdoors the nightclub setting with some surroundings adjustments that point out seaside Italy or Hollywood slumming – embrace Tim Hardin’s “If I Have been A Carpenter” (the only hit from Darin’s folkie period), a jazzed up “Lazy River” and the gently swinging “Simply In Time,” the Styne-Comden-Inexperienced normal that offers the present a reputation that serves as a metaphor for the rush-rush-rush nature of Darin’s quick life (he was simply 37 when his coronary heart give up).
Throughout his frequent interactions with the viewers – he dances on tables, dances with delighted viewers members – Groff is blunt about why he finds Darin’s story so compelling: The story of the “nightclub animal” who lived just for the stage, the viewers and the highlight is Groff’s story too.
Early within the present, because the band vamps on “Past The Sea,” Groff, working the viewers, says slyly, “I first heard this subsequent track the best way all of us first heard this subsequent track – twirling in our mom’s heels in Pennsylvania Amish nation, listening to our father’s data…I by no means would’ve guessed I’d have something in widespread with him, the playboy crooner and me in Mother’s pumps, however seems I do. He liked – [gestures back and forth between himself and the audience] – this. It was the one relationship he was any good at. Truthfully? Similar.”
Title: Simply In Time
Venue: Broadway’s Circle In The Sq.
Director: Alex Timbers
Music: The hits of Bobby Darrin
Ebook: Warren Leight and Isaac Oliver
Solid: Jonathan Groff, Gracie Lawrence, Erika Henningsen, Michele Pawk, Joe Barbara, Emily Bergl, Lance Roberts, Caesar Samayoa, Christine Cornish, Julia Grondin, Valeria Yamin, John Treacy Egan, Tari Kelly, Matt Magnusson, Khori Michelle Petinaud and Larkin Reilly.
Working time: 2 hr 20 min (together with intermission)
