The twelfth version of the Madrid-hosted Platino Awards, honoring the best in Ibero-American movie and tv, noticed main wins for the Oscar-winning Brazilian movie I’m Nonetheless Right here, in addition to director Walter Salles and star Fernanda Torres (who weren’t in attendance). The evening additionally featured three accolades for Netflix’s Colombian serialized adaptation of One Hundred Years of Solitude, which took dwelling finest actor and supporting actor classes, in addition to finest tv sequence total.
Different notable winners included Pedro Almodóvar’s The Room Subsequent Door, which clinched the unique rating and cinematography classes.
The Platino Awards adopted February’s Goya ceremony, which additionally noticed wins for the aforementioned initiatives, along with different winners honored right this moment, together with El 47, La Infiltrada and Segundo Premio.
A standout from the night was additionally Eva Longoria’s acceptance of the Platinum of Honor Award for example of Latin excellence in Hollywood, which led to uproarious applause from the viewers and a shock look by colleague and good friend Sofía Vergara.
“I used to be born in Texas, I’m Mexican American, I carry Spanish blood in my veins, particularly from Asturias,” the Solely Murders within the Constructing and Determined Housewives star stated in her speech. “My soul is Mexican, I like the connection between Mexico and Spain; it’s a really particular sisterhood that may be felt in each nook of this room. Since I started my profession in Hollywood in ’98, I’ve had the dream of proudly representing my roots and honoring Hispanic girls specifically.”
See the complete record of Platino Award winners beneath:
Finest Ibero-American Fiction Movie
I’m Nonetheless Right here — Walter Salles
Finest Director
Walter Salles, I’m Nonetheless Right here
Finest Feminine Efficiency
Fernanda Torres, I’m Nonetheless Right here
Finest Ibero-American Miniseries or Tv Sequence
One Hundred Years of Solitude
Finest Male Efficiency in a Miniseries or Tv Sequence
Claudio Cataño, One Hundred Years of Solitude
Finest Supporting Male Efficiency in a Miniseries or Tv Sequence
Jairo Camargo, One Hundred Years of Solitude
Finest Sequence Creator
Vicente Amorim, Fernando Coimbra, Luiz Bolognesi and Patrícia Andrade, Senna
Finest Male Efficiency
Eduard Fernández, Marco
Finest Supporting Feminine Efficiency
Clara Segura, El 47
Finest Supporting Male Efficiency
Daniel Fanego, Kill the Jockey (posthumous, accepted by Manu Fanego)
Finest Feminine Efficiency in a Miniseries or Tv Sequence
Candela Peña, The Asunta Case
Finest Supporting Feminine Efficiency in a Miniseries or Tv Sequence
Carmen Maura, Land of Ladies
Finest Screenplay
Amelia Mora and Arantxa Echevarría, Undercover (La infiltrada)
Finest Enhancing Route
Victoria Lammers, Undercover (La infiltrada)
Finest Documentary Characteristic
The Echo, Tatiana Huezo
Finest Animated Movie
Black Butterflies, David Baute
Finest First Movie
The Canine Thief, Vinko Tomicic
Finest Ibero-American Comedy Movie
Idol Affair (Buscando a Coque), Teresa Bellón and César F. Calvillo
Finest Cinema and Schooling in Values
Reminiscences of a Burning Physique, Antonella Sudasassi
Finest Unique Rating
Alberto Iglesias, The Room Subsequent Door
Finest Cinematography
Edu Grau, The Room Subsequent Door
Finest Artwork Route
Eugenio Caballero and Carlos Y. Jacques, Pedro Páramo
Finest Sound Route
Diana Sagrista, Alejandro Castillo, Eva Valiño, Antonin Dalmasso, Segundo Premio
